Matthew Moore’s review of At the End of the Street in the Shadow: Orson Welles and the City appeared in the latest issue of the US journal Afterimage (issue 44.3, 2016). Moore writes:
“If one beholds Welles’s oeuvre as one of the most multifaceted sets of modern artistic expressions, then surely one will find this newest book an enjoyable and stimulating read…. A generous number of stills, some diagrams, and a short dialogue excerpt enhance the study, fleshing out the idea that Welles’s modern cinematic vision was urban and cosmopolitan par excellence.”
For more, see HERE.
