Publication: The Black Prince

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My review of Adam Roberts’ 2018 novel The Black Prince, based on an original screenplay by Anthony Burgess, was published at the blog of the International Anthony Burgess Foundation on March 22.

It begins:

“The 1960s was a fine decade for films on the Plantagenets and Tudors, from Becket (1964) and The Lion in Winter (1968) to A Man For All Seasons (1966) and Anne of the Thousand Days (1969). Anthony Burgess’s unproduced screenplay The Black Prince, written in 1970 for the producer Michael Holden, similarly attempts the English history genre, although Burgess’s work was not derived from a successful contemporary play. Less dialogue-dependent than those others and more panoramic, his screenplay is keener to drag us through the medieval muckheap of war, plague, and truly revolting meals. ‘Our aim is to diminish the pretentions of the fourteenth century,’ Burgess notes. He succeeds….”

Continue reading at the International Anthony Burgess Foundation blog.

Recent Publications & Appearances

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EVAN HUNTER’S JUNGLE KIDS and AN INTERVIEW WITH FLOYD SALAS

I have made two contributions to a beautifully illustrated book edited by Andrew Nette & Iain McIntyre called Girl Gangs, Biker Boys, and Real Cool Cats: Pulp Fiction and Youth Culture, 1950 to 1980 (Oakland: PM Press, 2017). 

The first is a long essay on Evan Hunter’s contributions to the juvenile deliquency genre including The Blackboard Jungle (1954), A Matter of Conviction (1959) and The Jungle Kids (1956).

The other is an interview with the fascinating and under-appreciated American writer Floyd Salas, conducted in collaboration with Andrew Nette: ‘Whoever Was In Control Was The One To Watch‘.

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ORSON WELLES’S THE TRIAL

A study of Orson Welles’s screen adaptation of The Trial in Jim Craddock (ed.), Books to Film: Cinematic Adaptations of Literary Works, Volume 1 (Boston: Gale Cengage Learning, 2017).

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ANTHONY BURGESS AND ORSON WELLES: HACKWORK AND BRICOLAGE

A paper presented at the Anthony Burgess: Life, Work, Reputation conference at the International Anthony Burgess Foundation, Manchester (3-5 July 2017).

Publication forthcoming.

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ADRIAN MARTIN looks at CONTRAPPASSO: WRITERS AT THE MOVIES

Adrian Martin’s article ‘What is Literary Cinephilia?’, which discusses the special ‘Writers at the Movies’ issue of Contrappasso Magazine (2015) edited by Noel King and Matthew Asprey Gear, appeared in the May 2017 issue of Sight and Sound, pp. 56-57.